Beermancer 最近的评测

I waited until I finished the whole game to write this review. I wanted it to be fair. But every minute made me more disappointed. By the end, it was way worse than I thought. I wish it never came out and just stayed the canceled game we waited years for.
I'm saying this as a big fan of the first game with some tabletop experience. I know development was messy and studios changed. But my complaints are about the choices they made. I pre-ordered because I love VTMB. This game is total trash. It's an insult to the name. The worst downgrade ever worse than Game of Thrones final season. Without the "Bloodlines 2" title, it'd be an okay vampire game. But everything is worse than the original (except basic graphics – mood and feel still suck).
This isn't an RPG at all. Choices don't change the story much. No alternative paths, no stats page, no hacking, no lockpick, no talking your way out, no weapons(melee or firearms), no real freedom. Game design repeats the same boring stuff: Almost every task sends you down a corridor (even outside ones feel like it) full of bad guys. You fight to the locked door at the end, open it... then do it again in the next corridor . 70-80% of the main game is this. Can't go back, door behind locks too. Sometimes enemies pop up to block it, so you fight more corridors to leave. Quests are bad too: Talk to this person. Run across Seattle. Talk to that one. Run back for an item. Talk again on the other side. No fast travel, just empty running. Moving feels bad, even first game let you roam free thanks to Source engine. Zero RPG here just straight fights with some talk in between.
Only about 10 buildings you can enter. Most are only available on quests. Others just give jobs from NPCs. Side quests? Total mess go-get or kill jobs with no story or real prize. Skip them nothing changes.
You start as a 400-year-old elder vampire. In torpor since 1920s almost 300 years alive. But a weak thin-blood with a knife beats you. Everyone orders you go here, do that, kill this, carry stuff. Why are the Anarchs portrayed as junkie thin-bloods? Anarchs and Sabbat barely explained and wrong when they are.
Game's Malkavian is too normal I have more mental problems than him. Learning powers from other clans? Breaks the rules. Should be super rare. Where’s the Ventrue bane? They can drink from anyone in this game. One sees visions (no spoil, but impossible nonsense). Nosferatu aren’t cursed enough — one looks like Quasimodo and could probably walk down the street without issue.
There’s no humanity system and the Masquerade is a joke. In 21st-century Seattle, where everyone has phones and cameras, you feed in public, break the Masquerade, then duck into an alley, sit by a dumpster for a few minutes, and everything’s fine. You should be erased from existence by the Camarilla or hunters.
I don’t recognize a single track from the soundtrack. The only good thing is the voice acting i guess.
Fights stay bad with no options. You take hits during kill moves they lock you in place. 15 enemies? One kill finisher and half your health gone as they beat you. Bosses? Same mess. They call up tons of extra enemies those adds way tougher than the boss (tough skin, mad attacks, too many). Boss does nothing special just tank hits while you clear mobs. Not a real boss, just more crowd fights.
This game is a massive disappointment and a huge disrespect to the VTM name. Bad gameplay, bad game design, bad story I don’t know what to say, everything is bad. I wonder if anyone who worked on this game ever played VTMB, the tabletop, did a Google search, read White Wolf material, or even heard of the title before. I’m not sure…
Do not buy this. Go get a meal and two beers you’ll spend your money more wisely.

Not a bad game at all, but it does have some bugs and some mechanics feel a bit underdeveloped. Some features lack depth and come off as too basic or flat. I wish there was more control over trade, stock management and the resources used by production buildings. I wish the trade system was more detailed and could be automated. There’s also not much variety in terms of buildings or production options and the NPC pathfinding doesn't work very well either. Overall, it's not a bad game, just a bit too simple and doesn’t offer much replay value and for a full release it still has a lot of missing pieces.

I've beaten the game (didn't get 100% achievements yet), and it's a really good game exactly the kind of sequel it should be, building on the original with meaningful differences and smart additions rather than copying it.
It introduces changes new mechanics, harder gameplay: brute force and button-mashing not working, you should play carefully and strategically.
Story, characters, side quests, and dialogues are still amazing like Hades 1. Music's pretty good with cool experimental vibes I love.
Not much else to say the first was a masterpiece and this builds on it. Hades 2 is evolution, not revolution. But that’s not a flaw it’s respect. A near-perfect sequel that knows when to change and when to stay true. It lives in the original's shadow not because it's bad, but because Hades 1 was insanely good.

"Reject humanity, go back to monke and BONK!"

It's a fun game to play, not as hard and challenging as Souls games except for some minibosses(After getting stronger you can come back and defeat them. I might have struggled because I was a bit stubborn but some of them really felt unfair.). The action is pretty good but both combos and spells lack variety. There are different stances but they only change your heavy attack, so you end up using the same light attack combo throughout the entire game. Some upgrades allow you to modify your light attacks but it's still not enough.

Enemies between bosses feel too random and sometimes meaningless. Chapters 5 and 6 seem rushed for the deadline. I like the art style and the graphics are way too good. However, the worst thing about this game is the INVISIBLE WALLS.. there are too many of them and you can't go where you should actually be able to. There might be a better solution for this but it seems the game might have been rushed.

In conclusion, the game is fun but doesn't deserve that price.

I've just finished my 133-hour gameplay. I can't say it's the best game I've ever played, it will definitely secure a spot among the best games I've experienced. The game offers players an incredible degree of freedom and presents a multitude of diverse paths to follow. The mechanics might seem complex to those unfamiliar at first, but I absolutely loved them. Additionally, the soundtrack is wonderful. I don't want to miss mentioning the voice acting cast who did an amazing job. The translation into so many languages upon its initial release is a huge plus. As for the so-called major gaming companies that suggest benchmarking industry standards against "Baldur's Gate 3," they might as well pen their complaints in their diaries, teary-eyed. This game proves that when there's determination, outstanding achievements in game development are possible. Playing on your own is very enjoyable, but playing co-op with friends is even more fun. This game might turn your life upside down. Since its debut, it has seamlessly merged my nights and days. Thank you, Larian.

A masterpiece. One of the best game i have ever played. Great music (special thanks to Darren Korb), great art style, great story, great gameplay, great design everything is amazing and well thought. Game is tough but also has easy mode for who wants to experience the story. Game starts when you finish your first run but you have to finish lots of times to finish completely. I HIGHLY RECOMMEND TO FINISH COMPLETELY because it is the only way to achive main story and side stories.