安装 Steam
登录
|
语言
繁體中文（繁体中文）
日本語（日语）
한국어（韩语）
ไทย（泰语）
български（保加利亚语）
Čeština（捷克语）
Dansk（丹麦语）
Deutsch（德语）
English（英语）
Español-España（西班牙语 - 西班牙）
Español - Latinoamérica（西班牙语 - 拉丁美洲）
Ελληνικά（希腊语）
Français（法语）
Italiano（意大利语）
Bahasa Indonesia（印度尼西亚语）
Magyar（匈牙利语）
Nederlands（荷兰语）
Norsk（挪威语）
Polski（波兰语）
Português（葡萄牙语 - 葡萄牙）
Português-Brasil（葡萄牙语 - 巴西）
Română（罗马尼亚语）
Русский（俄语）
Suomi（芬兰语）
Svenska（瑞典语）
Türkçe（土耳其语）
Tiếng Việt（越南语）
Українська（乌克兰语）
报告翻译问题
7 
举报此帖
But, Is it a JoJo Reference?
king crimson song corus: IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIING
more like limp bizkit
「KING CRIMSON」
Huh? what was I doing?
The said inconsistency includes, but not limited to:
Severing someone's arm and then kidnaps them during the ability's duration, which as aforementioned is a narrative inconsistency as if King Crimson together with its user are able move objects and people in the power's activation and interact with them on the level of able to harm someone during it, then they are simply not removed from causality, aren't they? And it makes even less sense since that scene requires King Crimson and its user exploit the ability's property of removing the user from reality to phase into an elevator completely intact in the first place, so which is it? And if King Crimson is so strong it allows for selective causality too, then why couldn't the user just the user kill everyone while King Crimson's power is active instead of always waiting until they're out of the ability to attack the opponent?
Despite skipping a significant amount of time enough to clear out an entire room (and other things, since this application is demonstrated more than once), sometimes the surrounding people are as if they're also transported into the future too because they've not moved at all from their original position after the time-skip and they're still on the same topic as before the start of the time-skip. This is probably because originally in the manga and towards the earlier scenes of King Crimson, Araki didn't quite figure out how to illustrate King Crimson's ability and ended up portraying it as if it stops time rather than that it skips time; and David Production actually went to try fix some of these scenes as they adapt the material by for instance, adding sunlight's lighting differences to show the audience that a significant portion of the time has been skipped, which while good natured attempt it ultimately couldn't quite fix the massive inconsistency.
It also doesn't help that localisers such as Crunchyroll added to the confusion by NOT skipping the dialogue when the time skipping happened, which is exactly what is shown in the Japanese voice-over where the characters skipped to a point in the future together with their dialogue so it shows a clear disconnect between before and after the skip, and instead the localised subtitle features characters finishing a sentence after the time is skipped and that is just wrong.
The time skipping process should be instantaneous like cutting a film tape, and this is true for all but 1 instance of the power's demonstration, in which a person is able to see a copy of himself for a moment as the time is cut. One could argue that the user simply intended it that way to confuse the opponent, but then it begs the question why he never used it ever again even in situations where that property may come extremely useful. Either way, it's an inconsistency. Etc. So yeah.