Headburstopen 最近的评测

Fun, but it gets repetitive very quickly. Nothing is explained in much detail so you're basically just thrown into the combat and supposed to figure things out by doing them and experimenting. At first it's pretty overwhelming and some of the card mechanics are worded in a way that comes off as unnecessarily confusing, but you get into the cadence of the game's systems very quickly.

The art style is great, animations are simple but pleasant, without being too distracting, and the enemies and environments are memorable. The mechanics all come together to make an experience that is pretty addicting, however there is a nagging feeling that comes after getting through all three of the levels that kind of lingers in the back of your mind. There's a sort of "is this really all there is?" Because while the card mechanics are complex and the game delivers plenty of novel goodies to throw at the player, you will very quickly end up having seen what feels like most of the enemies after only a few hours of play time. This cuts the amount of time that I would be willing to put into the game by a considerable amount. I don't want to fight the same set of enemies over and over again. This game would have been greatly improved with a longer campaign, and generally more content. But it's still fun and more than worth it if you can pick it up for a few dollars.

Better than Dragon Age: Origins. I played DA:O a while ago and had a generally negative experience with it. I love RPG games, especially anything that leans more heavily into narrative focused experiences, even though I do like ARPGs as well. And I like older games in general, I get that they have quirks and glitches and technical difficulties but I don't mind, if anything it's a bonus. My previous experiences with Bioware had also, obviously, been incredibly positive. Mass Effect is great, even Andromeda at this point, KOTOR is legendary, there are some smaller but also well regarded projects that they've been involved in too, and I had previously played Dragon Age Inquisition, which I enjoyed a great deal.

However, despite all of that, I just did not like DA:O. The characters weren't interesting to me, the overall story didn't grab my attention, and I hated the way that it felt like the game forced my hand, and after enough time the gameplay itself started to become increasingly annoying. My playthrough of DA:O ended in disappointment.

But when it comes to Dragon Age: 2, I had always heard generally negative things about it. Not much in particular, just negative things. That it doesn't live up to DA:O, that the gameplay is wildly different, that some people actually really like it but basically never as much as the first game. In this case, for someone who didn't enjoy DA:O, I figured well maybe DA:2 could actually deliver a different enough experience that it might be what I was looking for with the first game!

And in the end, it was. Dragon Age 2 just clicked with me. The cast of characters is great, from the companions all the way down to the minor characters who reappear throughout quests and storylines. The romance options all enrich the story, weaving into the narrative in a way that feels right. There are probably less quests than in the previous entry, and overall less quests than one would hope for, but almost all of the quests have some kind of memorable and involved story to tell. And one of the most special aspects of DA:2 is that as the player you are given a genuine sense of agency in decision making. And decisions almost always end up ricocheting into increasingly larger consequences.

Dragon Age 2 brings a different sort of mentality to the combat. There is a noticeable lack in variety of maps/levels, and so many maps are heavily re-used. And the maps tend to not be very detailed or long. Instead of longer stretches or full levels with meticulously placed enemies there are now basically battle arenas where several waves of enemies will spawn in. Some people will certain dislike this combat setup, and it can undeniably get annoying, but some people also do actually enjoy this sort of setup. It tests your ability to manage your resources against increasingly stressful scenarios, without just implementing purely longer battles. It's unique and ultimately, I appreciate that. Overall, I had more fun with the combat of this game compared to DA:O. I did miss mana clash though, popping mages in the first game is absurdly entertaining.

The art design is mostly lackluster. Most of the maps/levels are pretty bland, small, and lacking in fine details. This is not a very good looking game. Some areas are slightly better, like the area by the sea is a bit more visually open and lets you see some landscapes, as opposed to the completely claustrophobic levels in the city. However, even that map is pretty much washed out and lacking in fine details like vegetation or interesting set pieces. You can seriously feel that this game was rushed.

Even considering that, this has been one of the very best experiences that I have ever had with an RPG game, and it is probably my favorite Dragon Age game. The story is incredible, taking us through so many different twists and turns, forcing us to make difficult decisions, letting us make genuine connections with the characters that come along for the ride, and culminating in a tense and chaotic, downright explosive final stretch that wraps up the story of our main character. There is a dynamism and intricate naturalness which stitches all of the events of the game together. I'm sure that almost everyone will walk away from Dragon Age: 2 with a slightly different story. When I was thinking about what sort of story this was, I kind of felt that it was a sad one, but the more that I thought about it I realized that it was also, for my Hawke, a happy story as well. I'm so glad that I spent the time that I did with this game, and I know that it has moved in a way which will keep me thinking about it for several years.

I feel mixed on this game but I'm leaning positive. The weapon roster is kind of awkward, some weapons seem pretty obviously geared towards particular enemies but then other weapons kind of overlap in a strange way. So you cant' just use any weapon for any enemy, but you also don't always have obvious answers to whatever situation you're in. This feels more awkward than being intentionally complex.

And while Boltgun tries to have this veneer of being "Oldschool," it just ends up not feeling like a genuine old FPS game. Really, this game is probably closest to kind of a mix between Doom 3, Doom 2016, and most obviously, Doom Eternal, along with certain gameplay and design aesthetics taken from the first two Doom titles alongside plenty of others in the Boom Shooter genre. I think that a more genuinely oldschool approach would have helped. The grenades are cool, but don't feel right for what this is trying to be. An equipment system similar to what's present in Duke Nukem 3d or Blood would have been more interesting and cohesive.

One of my biggest issues with Boltgun though is the maps and level design. Some of the most boring and forgettable levels in all of FPS history. Seriously, they didn't even bother including a map because the levels don't lend themselves to any kind of memorability. Consider that pretty much every level of the first Episode of the original Doom is completely and utterly memorable. Same thing with many of the other FPS games released in the 90s. Doom 3 is where you started to get this kind of design thinking, where it's just endless corridors, and maybe you remember the general theme of a level or a certain sequence of events, maybe a particular room, but most of it is just monocolor industrial walls that bend and blend into nothing. Like, if you were to ask someone what the most "memorable," level of Blood 3D is you would get maybe a variety of answers, however the train mission is such an obvious answer. It's pretty easy to remember and it's totally distinct from any other level in the game. Really it's totally distinct from any other level in any other FPS game ever! Let me put it like this, Boltgun has no train level! There's little things that you'll remember, sure. The level where the lava goes up, kind of like that level in the first Sly Cooper game. Or the level with the floating cathedrals in the big room, and you leap across them. And now try and remember anything else that happened in those levels. They both could have been in the same level potentially! I don't even know! Because everything inbetween the game's very few neat set pieces is totally boring.

And the enemy variety is so utterly dull. They're animated very well and they're fun to shoot, but they get boring before the end of the first chapter. Another thing that I noticed is that from even a medium distance a lot of the enemy sprites look messy and lacking in detail. I don't know what it is, but this doesn't happen in other boomer shooters. It might be that the sprites are really detailed but also smaller than in most other games, so from a distance their finer details blur together.

All I can say in the end is that it's moderately fun to shoot stuff and that there are worse ways to waste your time. I just hope that the next entry in this series is something that I can genuinely and enthusiastically recommend to other people, because this game is kind of fun but also sort of boring.

And it has no story. I get that these kinds of games aren't meant to really have a story but I dunno, maybe I'm weird but like, I want my games to have some kind of story or narrative or something. The cutscenes here were pretty but it felt like you weren't even meant to be paying attention to any of the words, honestly.

A fun yaoi visual novel with a unique visual aesthetic and several storylines to explore. The choices feel a bit contrived, there aren't many of them, sometimes it's not clear what the choices will lead to or whether they even matter or not, and some of them feel sort of arbitrary. This is more or less just a part of the genre though, you would hope that a visual novel implements more meaningful and interesting audience participation, but it doesn't make it impossible to still enjoy everything else. And honestly that's not really what makes this game compelling. The characters that you can romance are, generally, all pretty interesting and cool, the romances are steamy, although the focus is more so on the whole sci-fi drama lore aspects, with the yaoi being essentially the cherry on the top. If you want to enjoy a neat art style, a sci-fi world, and a story that drags you along for the ride, then this is a great experience!

This is the best Dark Souls game. It's got this overall gritty and sort of weird design approach on basically every level, not just art direction but gameplay as well. One of the biggest factors that makes this game click so well is the map, and how every location is situated compared to other locations in the game. Despite the map being relatively sprawling and intricate it is actually easy to memorize where everything is and to visualize what potential paths make the most sense for navigation. Being unable to warp until later in the game helps too.

Some little things are annoying, like parkour which is not one of the strong suits of the franchise. Some of the bosses have questionable hit boxes on attacks, although that's not as much of an issue as in DS2, where the bosses are just largely broken. However, most of the game works out pretty well, it feels slightly janky in the best sort of way, where initially you have to get a feel for the movement and animations, but once you do things start to feel incredibly natural. The later entries in the Souls franchise really missed this element, for better or for worse. The character movement in DS2 is much smoother and then DS3 took it to an even more streamlined level, but there's a certain kind of charm to the jank of the first Dark Souls. It's also a poorly balanced game, but this yet again makes it more endearing and memorable. The lower health pools of all of the bosses avoids the overly long boss fights present in DS2 and to a smaller degree in some of DS3.

It's like a fraction of a Grace game and a fraction of a Leon game crudely welded together in the worst ways possible. The opening at the care center is fantastic, truly excellent. As soon as we get to Raccoon city the game just utterly plunges. Raccoon city is horribly bland to look at, all gray and brown, unacceptably limited enemy variety, repetitive gameplay, and we're stuck playing as Leon for too long.

None of the new villains stand on their own or are fleshed out well enough. Zeno is simply a shameless Wesker clone, which is a terribly derivative inclusion. And Victor does not get enough development or backstory to make him a memorable character not only within this game but especially not in the overall context of the Resident Evil franchise as a whole. In fact, I truly believe that this game is going to be largely forgotten or not really even talked about eventually. It does nothing new, simply re-hashing things we've gotten before.

It's really strange that this game makes it feel like the franchise has hit a point where it's just cycling into itself, cannibalizing itself without really any new ideas to add, without any new ways of telling stories. I think that this is genuinely a depressing emotion to have about the Resident Evil franchise when RE7 and RE8 seemed so much like proof that there was a kind of limitless potential to what a Resident Evil game could be.

Village is my favorite RE game for many reasons, but part of that is that it is so totally different from any other RE game. Especially the storytelling, characters, art direction, and gameplay. Village has homages to the past games, and is in a way something like a mutated, evolved sequel to RE4, but it mostly takes the entire series in what looked like a totally different direction, kind of liberating the franchise. To me, having this be the follow-up to village is like having all of the momentum that the franchise has built up so far come to a complete halt.

My biggest worry is that this game is a sign that the people who made this game and the people in charge of Resident Evil as a whole have literally no idea what Resident Evil should be, outside of a nostalgia trip regurgitating the exact same thing over and over again for decades at this point. Resident Evil Requiem is a depressing and cynical experience.

I'm walking away from this experience as still a massive fan of the franchise overall. But I can't help but have similar feelings to when I've watched Star Wars or Jurassic World movies. Like we're all just supposed to sit here and wait for "the thing" that we recognize to appear so that we can congratulate ourselves and each other for recognizing "the thing."

The sections in the Arc where we fight soldiers as Leon is horrific. Those sections didn't feel anything like a Resident Evil game at all, they basically could have been a generic third-person military action shooter. The franchise is coming all the way back to the point that it's starting to recreate the same mistakes that almost destroyed it. The "boss fights" if you could even call them that were all too short, too easy, too simple, and largely repeated mechanics from previous RE titles too.

I'll end this review with my final sort of thoughts. This should have been a Grace game. It should have been entirely from a first person perspective, and it should have just focused on telling Grace's story, and expanding on the gameplay from the care center section. That would have been an excellent basis for an entire RE game, potentially one of the very best yet. But what we ended up getting is not what I think is good for Resident Evil as a franchise.

Effectively interpreting art and the messages that an artist might try to convey through their work can be difficult and often times most pieces of art and entertainment never expect much of their viewer-base and modern schooling does nothing much to set up most people to seriously consider the media that they engage with.

Considering that, I think that ultimately Ashley and Andrew make a very cute and fun couple and we should all try and be more like them! They are very cool and maybe if everyone was just sort of more cool like that then everything would be fun and not boring. My favorite part of playing this game was getting through each scenario and then reflecting back and thinking, "Wow! How can I be more like them?! If I had another person to be there for me like that, and if I were such an interesting and attractive person like that then I would never worry about whether or not I've wasted my life, or if it ever gets better and I won't be miserable, or if I'm just cringe and ugly and fundamentally un-loveable and deeply uninteresting!"

The deepest and most insidious flaw with a piece of art/game this good is that you have to engage with it moving through that nagging, itching feeling that you might just never come across something as good as it ever again in your whole life. That while you will inevitably find other things that you love and so much more, that when something just clicks with you so hard that everything afterwards will just be a little bit more dull, until maybe several years later when you come across something maybe as good or almost as good and then it all sort of resets. I love this game with all of my heart, it means the world to me, and I hate that unironically that there are parts of me that do relate to both Ashley and Andrew.

While there is the basis for a decent game here, this is overall not a very good experience. The game is basically split into "missions," and each mission is maybe one to three minutes in length, takes place entirely within single uninteresting and limited levels, and consists of survive for a couple of minutes, kill X amount of zombies, or move from point A to point B. None of these goals are fun, every mission is too short and simple, and the levels themselves are completely uninteresting to look at and move around in.

Despite what other reviews say, with enough tinkering, the controls and movement are acceptable. For gamepad you have to bring down the sensitivity a lot, and change the button bindings. Once you've gotten everything setup then character movement and aiming actually feels okay. Not good but useable.

The cutscenes are long. Too long. And completely unstylized. It feels like the main draw of the game, more than anything else, is supposed to be the story, or realistically the characters. If you're not invested in the story and you don't the characters interesting then this just won't be a good experience. This is a problem because while each character is given a distinct sort of stereotypical anime girl/moe personality, the character designs aren't really interesting and their stories/personalities come across as completely surface-level, with the absolute bare minimum amount of effort put into each of them.

It's a bit unfortunate, because there could have been something fun here. Like if the overall cast of characters were cut down to maybe four, each with distinct, more unique backstories and personalities, along with each character having a more unique style. Instead of every character being a schoolgirl, by default wearing a school uniform, have each character be different. Maybe one school girl, one office worker, one idol, one yakuza, like just enough difference so that each character is more distinct.

The missions should also be longer and more complex. Basically take maybe three to five separate missions that are currently here and just fuse them together, and have the levels be connected so that we can actually move from one environment to another. Overall what I'm saying is that if there was something like a sequel to this game which approached the whole idea in just a better and more interesting way then I could see that being a genuinely good game. This is not a good game, even if it's obvious that some amount of care was put into its creation.

Complete and total degeneracy. Unforgiveable. This game will actually steal a small amount of your soul power for each individual second that you play. Completely brainless slap buttons move through battle screens take the girls' clothes off RUB THE GIRL...

There truly is something to just slamming your way through a battle and hearing all of the loud, overlapping voices all cheering at the same time. At the very least, I do appreciate that this game knows exactly what it is, and it does not shy away from it, be ironic, or be disingenuine whatsoever. Commitment and authenticity matter when it comes to art. I like the dog girl...

After 13 hours of playing I can confidently say that I like this game. It's dumb, the story is ridiculous, but there's a carefree sort of vibe that works. There were a few issues that became more apparent over the course of my time playing. There seem to be a lot of fire aura monstergirls, I could be wrong but it felt like there were too many compared to other auras. Also, once you kind of lock into a specific lineup it becomes difficult to swap out for new monstergirls. Some kind of system where you could maybe make multiple different parties and save them could be good to encourage trying new things. And the stats on certain monstergirls just didn't seem right, like some of them were just not very good with specific costumes in particular.

Only played a little bit so far but am looking forward to playing more. It's such a simple game, almost plays like an indie-rogue like, but the core gameplay feels decent. The movement isn't great but it's fluid enough, the enemies' attacks are mostly well communicated and the aiming is alright. There's a good selection of weapons and upgrades too. The enemies are kind of repetitive but there is some variety. The overall theme of labor exploitation is appreciated and overt, and I do really hope that the opening statement of the game not being made in an exploitative working environment is true.

So, the art style is fantastic. It's bright, cheery, over-the-top, ridiculous, and heavily stylized in a great way. The voice acting is amazing too, every single voice actor is clearly giving it their all! But it has to be said that the game absolutely objectifies almost all of the women and girls in it. The two main PCs are literally dressed as schoolgirls but are obviously sexualized. And the dialogue present in the "augmentation" upgrade segments is really off-putting and weird. This is really gross and not okay, but this sort of disturbing stereotype is completely and deeply a part of a lot of anime and anime art-styles. I kind of get that this game is going to be geared towards teenage gooners and incels who just don't care about probably anyone else, but I feel like these things should still be pointed out and I would prefer to play games without these kinds of things.

I love how the lady with the huge honkers has bandaids on her cleavage though, kind of genius ngl

Okay, I beat the game, it was actually pretty fun. It gets repetitive past like, sixty floors, but what they've created here actually works. I would play a more complex version of this game, like if they made a sequel with a bigger budget I would absolutely buy it and play da heck out of it.